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Best of Beauty 2016 | Skin Care, Hair Care & Body Care Yearly Favorites ♡ Deanna Borocz
 
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It's that time of the year! Today's video will be my 1st of 3 best of beauty videos. I'll be talking about all of my favorite skin care, hair care and body care products from 2016. I have SO many favorites this year and this video is a tad long so sit back, relax and enjoy yourself a lovely bottle of wine. I hope you enjoy all the products I've been loving this year and don't forget to subscribe so you don't miss out on my highend and drugstore 2016 favorites. LOVE YOU ALL! I ALSO STARTED MY VLOG CHANNEL!! Make sure you go subscribe :) http://bit.ly/2bUsGGD Give this video a thumbs up and share with all your friends if you enjoyed it ♡ ►▷Be sure to subscribe for new videos every week :) http://bit.ly/1NXV8mF _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ►▷Let's Stay Connected - FOLLOW ME: ♡ T W I T T E R➜ https://twitter.com/deanna_borocz ♡ I N S T A G R A M➜ http://instagram.com/deanna_borocz ♡ S N A P C H A T➜ deannab3 ♡ F A C E B O O K➜ https://www.facebook.com/3deannab?ref=hl ♡ V L O G➜ http://bit.ly/2bUsGGD ►▷MAIL PO Box 623 San Mateo, CA 94401 For business inquiries ONLY, such as company sponsors or reviews, please feel free to email me at: deannaboroczPR@gmail.com _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ►COUPON CODES! SIGN UP FOR FREE PRODUCTS! https://www.octoly.com/creators?cref=hbgdd I use MagicLinks for all my ready-to-shop product links! https://www.magiclinks.org/rewards/referral/deannaboro/ $$$ EBATES $$$ How I make money shopping! ►▷http://bit.ly/1DBgR3i MAKEUP GEEK http://bit.ly/1Td5aXl BELLAMI HAIR https://bellamihair.refersion.com/c/5a865 _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ If you have any video requests, you can leave them down below in the comments! ►Products Mentioned: SKINCARE Garnier Micellar Water ⤵︎ http://go.magik.ly/ml/31ce/ Kirkland Makeup Wipes ⤵︎ http://go.magik.ly/ml/31cf/ Skinfood Green Tea Bubble Foaming Cleanser ⤵︎ http://go.magik.ly/ml/31cg/ Neutrogena Acne Clearing Toner ⤵︎ http://go.magik.ly/ml/31ci/ Pixi by Petra Glow Tonic ⤵︎ http://go.magik.ly/ml/31cj/ Cremorlab Mineral Essence ⤵︎ http://go.magik.ly/ml/31ck/ Belif Aqua Bomb Moisturizer ⤵︎ http://go.magik.ly/ml/31cl/ Herbivore Orchid Facial Oil ⤵︎ http://go.magik.ly/ml/31cn/ Sephora Collection 8 HR Mattifying Moisturizer ⤵︎ http://go.magik.ly/ml/1igh/ Skinfood Green Apple Smooth Pore Cream ⤵︎ http://go.magik.ly/ml/31co/ Pixi by Petra Hydrating Milky Mist ⤵︎ http://go.magik.ly/ml/31cq/ Mario Badescu Facial Rose Spray ⤵︎ http://go.magik.ly/ml/31cr/ Mario Badescu Drying Lotion ⤵︎ http://go.magik.ly/ml/31cs/ Skinfood Rice Mask Wash Off* ⤵︎ http://go.magik.ly/ml/31ct/ Clinque Acne Solutions Mask ⤵︎ http://go.magik.ly/ml/31cu/ Derma E Purifying 2-in-1 Charcoal Mask ⤵︎ http://go.magik.ly/ml/31cv/ Formula 10.0.6 Pores Be Pure Mud Mask ⤵︎ http://go.magik.ly/ml/31cw/ Peach & Lily Sheet Masks* ⤵︎ http://go.magik.ly/ml/2q67/ Lush Bubblegum Lip Scrub ⤵︎ http://go.magik.ly/ml/31cy/ Carenel Lip Mask ⤵︎ http://go.magik.ly/ml/31cz/ HAIRCARE L'Oreal Everpure Volume Shampoo & Conditioner ⤵︎ http://go.magik.ly/ml/31d0/ L'Oreal Preference Permanent Hair Color ⤵︎ http://go.magik.ly/ml/31d1/ Promo Code: 888049 $5 off $25 thru 12/24 Batiste Hint of Color Dry Shampoo ⤵︎ http://go.magik.ly/ml/31d2/ Matrix Biolage Hydrasource Leave-In Tonic ⤵︎ http://go.magik.ly/ml/31d3/ Redken Velvet Gelatine 07 ⤵︎ http://go.magik.ly/ml/31d5/ Kenra Platinum Thickening Spray ⤵︎ http://go.magik.ly/ml/31d6/ Kenra Platinum Blow-Dry Spray ⤵︎ http://go.magik.ly/ml/31d7/ Bumble & Bumble Thickening DrySpun Finish ⤵︎ http://go.magik.ly/ml/31d9/ NuMe Megastar ⤵︎ http://go.magik.ly/ml/31d8/ BODY CARE Sol De Janeiro Brazilian Bum Bum Cream* ⤵︎ http://go.magik.ly/ml/31da/ Soap & Glory Righteous Butter ⤵︎ http://go.magik.ly/ml/31db/ Loving Tan Self Tanning Mousse ⤵︎ http://bit.ly/29vbyFr Gucci Gorgeous Gardenia Perfume ⤵︎ http://go.magik.ly/ml/31de/ FTC: All products used in this video were purchased by me unless otherwise stated. Products marked with (*) were sent for review purposes. Some links are affiliate links. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ►MUSIC: Connect with NCS 〱 Snapchat: ncsmusic • http://soundcloud.com/nocopyrightsounds • http://instagram.com/nocopyrightsounds_ • http://facebook.com/NoCopyrightSounds • http://twitch.tv/nocopyrightsounds • http://twitter.com/NCSounds • http://bit.ly/SpotifyNCS ►EDITS: Gabrielle Marie _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Filmed with: Canon 70D Edited with: Final Cut Pro X xoxo Deanna ♥
Просмотров: 5793 Deanna Borocz
Weight Loss, Laser Hair Removal, Botox Rancho Cucamonga, Whittier, CA
 
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http://www.skinperfectmedical.com Welcome to Skin Perfect Medical Aesthetics. We are Southern California's premier medical spa destination. We offer laser, skin, and body rejuvenation treatments to help you look and feel your best. Our clients come to us from Los Angeles, Claremont, Whittier, Rancho Cucamonga, San Bernardino, Upland and surrounding areas of California. We offer a wide range of skin care services that are designed to smooth, clarify and lift the skin. Our skin care and skin tightening services help to achieve healthy skin that is free of blemishes and free of sagging, wrinkles and excessive hair. Our skin clear and skin smooth services include acne treatment, laser hair removal. Our clinic offers the latest technology, products and techniques for advanced skin care, anti aging treatments, acne treatment and tattoo removal. Whether your problem involves pigmentation, premature aging, acne or another issue, we have effective treatments for you. We are experts at skin resurfacing, skin rejuvenation and skin regeneration services, such as microdermabrasion, oxygen facial, laser genesis and chemical peels. Please browse our website to learn more about skin care, laser hair removal, skin rejuvenation, tattoo removal, weight loss and our other medspa services. Contact us to schedule a free consultation, so your skin can be evaluated and appropriate treatments recommended. While you are here, sign up for our newsletter to be informed of the latest offers.
Просмотров: 121 skinperfectmedical
REVEALING MY TATTOOS FT. MY NEW PUPPY!! (VLOG) | Mel Joy
 
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I hope you enjoyed this life update vlog where i show you guys my tattoos and my new puppy!! I love you guys soo much♡ don't forget to subscribe to make me happyyyyy: https://www.youtube.com/subscription_center?add_user=memyselfandmell OPEN FOR A BIG HUG!! yay u got a big hug :)) BUY MY MERCHHH: https://www.merchmeet.com/collections/mel-joy BUY MY JEWELRY: http://www.luvgems.com/collections/meljoy Leave video suggestions down below! :) you guys are da best ♡ Let's be friends! Twitter: meljoy Instagram: mel.joy Tumblr: memyselfandmell.tumblr.com Pinterest: memyselfandmell Snapchat: memyselfandmell Vlog Channel: https://www.youtube.com/MelJoyVlogs Send me stuff! My P.O. Box: Mel Joy 205 De Anza Blvd. #319 San Mateo, CA 94402-3989 if you see this comment "vlog fam ftw" ;) use my code MEL100 for $100 in delivery credit: https://postmates.onelink.me/5uYG?pid... Sign up for Ebates to get cashback here! (get money just for shopping) https://www.ebates.com/r/MEMYSE148 FTC: this video is not sponsored.
Просмотров: 183636 Mel Joy
Spa Kingston Featured on NBC 7 San Diego's The Goods
 
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Spa Kingston offers a prestige level of treatments & products tailored for your individual needs. Sophisticated & chic, yet welcoming & unpretentious, Spa Kingston offers a fresh approach to the San Diego spa experience. Simple spa treatments in a full service skincare studio. Whether you are looking for a simple 'boost' to your current skin care regimen or a complete rejuvenation, Spa Kingston handpicks each of their product lines to assist in finding the radiant you.
Просмотров: 84 TheGoodsSanDiego
Weird Ways of the Elite Documentary  (2017)
 
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A disturbing look into the demented lives of the hidden elite. The Illuminati bloodlines, child sacrifices, blood-drinking and more! See the sick art they collect, their horrific pastimes, and learn the shocking lengths they will go to extend their lives! HELP ME KEEP THE DOCUMENTARIES COMING!! DONATE THROUGH PAYPAL! https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=Z6ZYY3E8HRSDE Become a Patreon Insider! https://www.patreon.com/bePatron?c=544841 Subtítulos En Espanol! © Jay Myers 2017 All rights reserved. May be reproduced in part for fair use/ educational purposes. Music: Abnormal: Ross Bugden https://youtu.be/LGGOnX6atIg Circus of Dread: Robert Austin https://youtu.be/bKFixiZtKVU Carnival of the Dead: Robert Austin https://youtu.be/1Knc-3NMzhU Carnival Lament: Robert Austin https://youtu.be/EcFW83jeYho The Addams Family Theme Song: https://youtu.be/X6QzbvH-ZNo Digital Bark: Kevin Macleod https://youtu.be/di3MM8Siy_g Autumn: Vivaldi https://youtu.be/H7hGiZ579cs Bent and Broken: Kevin Macleod https://youtu.be/jlWy0EW1i3c TheBoogeyman: Robert Austin https://youtu.be/N3j4-ZjA2DA Carol of the Bells: Myuuji https://youtu.be/yKdjSUEHaJ0 The Dark Forest: Ghoulish Grin Films https://youtu.be/1yR9gz1HVNA Haunted: Ross Bugden https://youtu.be/ZOrxwqvfD2E Sinister Slumber: Robert Austin https://www.youtube.com/watch?v=w3SJLdpXUvY Madness: Robert Austin https://youtu.be/ZE33xog3F8U Its Not Over Yet: Myuuji https://youtu.be/VWXDv7huKS0 Wasted Wonderland: Myuuji https://youtu.be/Q37O3owI0ks Pagan Drum Chant Music: Stephen Mullaney-Westwood https://youtu.be/BGOJBLMWVa0 Spacial Winds: Kevin Macleod https://youtu.be/177Tpq45sY8 Walking Into Darkness: Myuuji https://youtu.be/GdOh5yv4lg0 Grotesque Fantasia: Myuuji https://youtu.be/zJflln1le54 Down the Rabbit Hole: Myuuji https://youtu.be/Foe8VGzHGyA Library of Secrets: Derek Fletcher https://youtu.be/23m3p55NA48
Просмотров: 820113 Jay Myers Documentaries
LINO GOLDEN - "PANAMERA" (feat. Aspy) | Official Video
 
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Videoclip cu Lino Golden si Aspy interpretand piesa "PANAMERA". (C) & (P) 2018 Golden Boy Society / Global Records INSTAGRAM : @linogolden Pentru concerte: Madalin Mosoiu | +40.722.304.862 Haine Sus Ca Jordan: https://www.prettypoison.ro/?product=hanorac-sus-ca-jordan-by-lino-golden-2 "Panamera" @ Online Stores: iTunes: https://geo.itunes.apple.com/us/album/id1351875820 Spotify: http://open.spotify.com/album/7CQcxLkS0E40dyLN2GHDwv Muzica si Text: Lino Golden,Mario Fresh,Rashid si Aspy Instrumental: Buzea Florin si Lino Golden Sample: Paigey Cakey - Down Regie: Criss Blaziny Efecte Video: vlog the FISH ( @whoiskazi ) https://www.instagram.com/whoiskazi Mix: Razvan Matache (@razvanmat) Master: Alexandru Truta Lino Online: https://www.facebook.com/LinoGoldenBoy https://www.instagram.com/linogolden Snapchat: tziptzop Aspy Online: https://www.facebook.com/AspyOfficial https://www.instagram.com/aspyomul Golden Boy Society Online: Facebook: https://www.facebook.com/GoldenBoySociety Instagram: https://www.instagram.com/goldenboysociety Marfa Tare: http://www.fratziwear.com Global Records Online: https://www.facebook.com/GlobalRecordsCom https://www.instagram.com/GlobalRecords http://globalrecords.com https://twitter.com/GlobalRecordsRO Toate drepturile sunt rezervate. Orice upload neautorizat al acestui videoclip este ilegal si poate fi raportat oricand la Youtube. All rights reserved. Unauthorized reproduction is a violation of applicable laws. In order to avoid copyright infringement, please do not upload this video on your channel.
Просмотров: 29770957 Lino Golden
From Crisis, Opportunity: Europe's Story
 
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Born from the ashes of war, the European Union project has grown despite and because of crises, like the global financial meltdown. This video marks the centenary of the First World War, as conflict in Ukraine looms large, and a decade since the EU's biggest-ever enlargement. It shows the Union's leaders still striving toward the opportunities of a common future; always bearing in mind national political concerns and never forgetting the lessons of the past. It contains interviews with the first-ever President of the European Council, Herman Van Rompuy, the President of Lithuania, and senior EU officials. (This video has subtitles in the 24 official languages of the EU. You can activate your preferred language by clicking on the subtitles button in the Youtube toolbar).
Просмотров: 2558 Council of the EU
Pirate Warnings Plus Cruise Ship News and Updates Plus Saturday Travel Trivia!
 
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Pirate Warnings Plus Cruise Ship News and Updates Plus Saturday Travel Trivia! Pirate warnings have been issued to cruise passengers on the Mariner of the Seas for travel between Dubai and Barcelona. The ship departs on April 22 2018 and will arrive in Barcelona on May 7th. Pirate alers are in effect for about 4 days as the ship passes through the Gulf of Aden near Somalia nd Yemen. Extra security staff has been brought aboard the ship and upper decks will be closed off in the evening hours. Passengers have been instructed to close all curtains in the evening and the ship will run with minimal lighting. Please support my channel today! Please visit my new Travelling with Bruce Store get yourself some cool swag! https://www.redbubble.com/people/brucefrommert?asc=u
Просмотров: 489 Travelling with Bruce
How architecture helped music evolve | David Byrne
 
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http://www.ted.com As his career grew, David Byrne went from playing CBGB to Carnegie Hall. He asks: Does the venue make the music? From outdoor drumming to Wagnerian operas to arena rock, he explores how context has pushed musical innovation. TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes. Featured speakers have included Al Gore on climate change, Philippe Starck on design, Jill Bolte Taylor on observing her own stroke, Nicholas Negroponte on One Laptop per Child, Jane Goodall on chimpanzees, Bill Gates on malaria and mosquitoes, Pattie Maes on the "Sixth Sense" wearable tech, and "Lost" producer JJ Abrams on the allure of mystery. TED stands for Technology, Entertainment, Design, and TEDTalks cover these topics as well as science, business, development and the arts. Closed captions and translated subtitles in a variety of languages are now available on TED.com, at http://www.ted.com/translate. Watch a highlight reel of the Top 10 TEDTalks at http://www.ted.com/index.php/talks/top10
Просмотров: 424833 TED
The Truth About Alcohol - BBC Documentary
 
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Find out the truth about alcohol and why it's so bad for you.
Просмотров: 283728 TV Documentary
Abraham Mateo (12 AÑOS) - l SURRENDER - (Celine Dion)  Studio RC
 
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Twitter Oficial : https://twitter.com/#!/AbrahamMateoMus Facebook Oficial : http://www.facebook.com/AbrahamMateoOficial Abraham Mateo - Grabación making off de la canción I SURRENDER de Celine Dion!!
Просмотров: 5398699 edcelregreso
Norwegian Sun Panama Canal Cruise From You Know Where Updates and Travel Trivia!
 
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Norwegian Sun Panama Canal Cruise From You Know Where Updates and Travel Trivia! The Norewgian Sun saga justs keeps getting worse with 4 cruises now confirmed to have been construction cruises. 9000 people have been exposed to hazardous chemicals over a 60 day period of time from Buenos Aires to Los Angeles with 2 Panama Canal crossings. Health issues are popping up everywhere with former passengers visiting doctors for help. So far Norwegian is offering a credit towards a free cruise to the passengers who were on the last cruise through the Panama Canal March 16th to 31st 2018. The innocent victims from the other 3 cruises which carried about 6000 passengers through the Caribbean from Buenos Aires Feb 2 to Mar 16th 2018 have not been offered any compensation to date. The fate of the 1000 crew members remains in limbo as well.
Просмотров: 851 Travelling with Bruce
Kevin Kelly tells technology's epic story
 
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http://www.ted.com In this wide-ranging, thought-provoking talk from TEDxAmsterdam, Kevin Kelly muses on what technology means in our lives -- from its impact at the personal level to its place in the cosmos. TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes. Featured speakers have included Al Gore on climate change, Philippe Starck on design, Jill Bolte Taylor on observing her own stroke, Nicholas Negroponte on One Laptop per Child, Jane Goodall on chimpanzees, Bill Gates on malaria and mosquitoes, Pattie Maes on the "Sixth Sense" wearable tech, and "Lost" producer JJ Abrams on the allure of mystery. TED stands for Technology, Entertainment, Design, and TEDTalks cover these topics as well as science, business, development and the arts. Closed captions and translated subtitles in a variety of languages are now available on TED.com, at http://www.ted.com/translate. Watch a highlight reel of the Top 10 TEDTalks at http://www.ted.com/index.php/talks/top10
Просмотров: 69558 TED
Missy Elliott - The Rain  [Supa Dupa Fly]  [Video]
 
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Watch Missy Elliott's greatest music videos here: http://smarturl.it/missyelliottyt Subscribe to Missy Elliot’s YouTube Channel Here: https://www.youtube.com/missyelliott Click here to download Missy Elliott's tracks on iTunes: http://www.itunes.com/missyelliott http://www.missy-elliott.com/ http://www.facebook.com/missyelliott http://www.twitter.com/missyelliott http://www.youtube.com/atlanticvideos (subscribe)
Просмотров: 13851911 Missy Elliott
Homossexualidade - ponto final. (#Pirula 29)
 
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Minha tentativa de explicar a homossexualidade biologicamente. ASSISTAM COM AS ANOTAÇÕES ATIVADAS Meu twitter: @Pirulla25 Links: Meu vídeo com algumas opiniões sobre os movimentos gays: http://www.youtube.com/watch?v=3dSAYL7-L9g Sobre a Escala Kinsey: http://pt.wikipedia.org/wiki/Escala_de_Kinsey Artigo novinho, saído do forno, confirmando o que disse no vídeo: http://io9.com/5967426/scientists-confirm-that-homosexuality-is-not-genetic--but-it-arises-in-the-womb Reportagem narrando caso raro, mas que demonstra que hormônios podem ser mais atuantes que genes masculinos e femininos: http://g1.globo.com/ciencia-e-saude/noticia/2013/06/chines-idoso-descobre-em-check-que-e-biologicamente-uma-mulher.html Meu vídeo sobre a mente descontínua: http://www.youtube.com/watch?v=m_LsMe4XWmA Vídeos do Guilherme sobre homossexualidade ser doença, e como foi pra ele "sair do armário": http://www.youtube.com/watch?v=PhAiBJrbzYU http://www.youtube.com/watch?v=Drm4-JkRa7I Vídeo do Yuri sobre homossexualidade e seu falso determinismo: http://www.youtube.com/watch?v=2C9V6D0jm1s Sobre mudança sexual natural (em inglês) http://en.wikipedia.org/wiki/Sex_change Em peixes: http://www.bio.davidson.edu/Courses/anphys/1999/Rice/Rice.htm em sapos: http://newton.dep.anl.gov/askasci/bio99/bio99128.htm Explicação sobre cromossomos sexuais (Wikipédia, mas tá muito bom!): http://pt.wikipedia.org/wiki/Cromossomo_sexual Sobre os problemas em determinar genes sexuais em peixes: http://www.bv.fapesp.br/pt/projetos-regulares/26770/elucidacao-mecanismos-determinacao-sexual-peixes/ Cromossomos sexuais em aves: http://www.uel.br/revistas/uel/index.php/seminasoc/article/view/7289/6440 Comportamento homossexual em tartarugas: http://ibnlive.in.com/news/tortoises-turn-gay-in-zoo/187926-60-121.html Exemplos conhecidos de animais com comportamento homossexual: http://en.wikipedia.org/wiki/List_of_animals_displaying_homosexual_behavior Diferenciação sexual cerebral: http://sci-hub.tw/https://www.sciencedirect.com/science/article/pii/000689939090350K http://sci-hub.tw/http://science.sciencemag.org/content/253/5023/1034 http://www.pnas.org/content/pnas/89/15/7199.full.pdf http://www.pnas.org/content/102/20/7356?ijkey=e258c78188374b038f5e8fee3047d9c3 0c1a6c54&keytype2=tf_ipsecsha http://www.pnas.org/content/105/27/9403?ijkey=5b36fa29272b658fa66e1325b9cac226 6be4e6b8&keytype2=tf_ipsecsha http://www.ajnr.org/content/ajnr/29/10/1890.full.pdf https://www.nature.com/articles/srep41314 https://www.nature.com/articles/s41598-017-18372-0 http://sci-hub.tw/https://www.sciencedirect.com/science/article/pii/S0149763416302342 http://sci-hub.tw/https://onlinelibrary.wiley.com/doi/full/10.1002/hbm.20435 https://link.springer.com/chapter/10.1007/978-981-10-3695-8_19 https://www.sciencedirect.com/science/article/pii/S0091302211000252?via%3Dihub Brincadeiras de criança entre chimpanzés: http://www.dailymail.co.uk/sciencetech/article-1340211/Why-natural-girls-play-dolls-boys-love-guns.html http://download.cell.com/current-biology/pdf/PIIS0960982210014491.pdf?intermediate=true Transsexualidade: http://tgmeds.org.uk/diffa.html http://www.scielo.br/scielo.php?pid=S0004-27302001000400014&script=sci_arttext Explicação sobre a origem hormonal da orientação sexual: http://en.wikipedia.org/wiki/Prenatal_hormones_and_sexual_orientation http://www.sciencedirect.com/science/article/pii/S0018506X06001462 http://www.viewzone.com/homosexual.html http://www.sciencedirect.com/science/article/pii/S0091302211000252 Stress na gravidez e homossexualidade: http://www.springerlink.com/content/q6q2180250341315/ http://www.tandfonline.com/doi/abs/10.1080/00224498809551449 http://www.sciencedirect.com/science/article/pii/S0031938401005649 http://sci-hub.tw/https://www.karger.com/Article/Abstract/262525 https://www.sciencedirect.com/science/article/pii/B978044453630300004X?via%3Dihu b http://sci-hub.tw/https://link.springer.com/article/10.1007/BF01541353 https://www.sciencedirect.com/science/article/pii/S0091302211000240 Profissão Repórter sobre homossexualidade (a parte 2 é onde tem o depoimento do rapaz): http://www.youtube.com/watch?v=jhsb870cFSo http://www.youtube.com/watch?v=zoOdbPtOuTM&feature=relmfu http://www.youtube.com/watch?v=5DEshpJBP-w&feature=relmfu Explicação do Mário de Pinna sobre a vantagem do suposto "gene gay": http://www.youtube.com/watch?v=vXgpJ38fnEo Meninos que foram criados como meninas (olha o último link, QUE ABSURDO): http://en.wikipedia.org/wiki/Aphallia http://majorityrights.com/weblog/comments/human_protandry_girls_who_turn_into_boys_revisited http://noticias.r7.com/saude/noticias/ma-formacao-do-penis-atinge-um-em-cada-300-meninos-nascidos-no-mundo-20091120.html http://www1.folha.uol.com.br/bbc/835267-documentario-conta-drama-de-gemeo-criado-como-menina-apos-perder-penis.shtml
Просмотров: 946305 Canal do Pirula
La Plaine de l'Ourcq, réinventer la ville dans la métropole
 
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Présentation du territoire et de ses projets à l'horizon 2020 Réalisation : Chloé Ledoux et Nicolas Brikke - niclofilms.com Modélisation et incrustation 3D : Infographie Nominoe Infographie et Motion design : Tim Jarrosson Musiques : Hipster Holidays, Tristan Norton & Martin Koltmeier, premiumbeat.com
Просмотров: 4641 Est Ensemble
Hillbilly Moon Explosion - Enola gay (OMD cover)
 
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From "Buy, beg or steal" (2011) Lyrics: Enola Gay, you should have stayed at home yesterday Oho words can't describe the feeling and the way you lied These games you play, they're gonna end it all in tears someday Oho Enola Gay, it shouldn't ever have to end this way It's 8.15, and that's the time that it's always been We got your message on the radio, conditions normal and you're coming home Enola Gay, is mother proud of little boy today Oho this kiss you give, it's never ever gonna fade away Enola Gay, it shouldn't ever have to end this way Oho Enola Gay, it shouldn't fade in our dreams away It's 8:15, and that's the time that it's always been We got your message on the radio, conditions normal and you're coming home Enola Gay, is mother proud of little boy today Oho this kiss you give, it's never ever gonna fade away
Просмотров: 704057 sgrizzi
LOS CHICOS, MAMA MIA
 
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PARA TODOS LOS FANS
Просмотров: 93948 SANCHEZCASTROAMADO
Vaca Intenta Aparearse con un caballo
 
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jJAJAJ POBRE VACA Y NO SE SI ES UN CABALLO LO OTRO. COMO ODIO AL BURRO RIENDOSE XD.
Просмотров: 211766 SUBO DE TODO
Jesus e o pecador
 
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JESUS E O PECADOR! Eis os 10 pontos seguros para compreendermos o pensamento de Jesus acerca do pecador, segundo uma conferência do Pe. Gasparino 1 -- Jesus vai à procura do pecador, antes, Jesus declara que este é o motivo pelo qual Se Encarnou. Dirá: " Eu não vim chamar os justos, mas os pecadores; não são os sãos que precisam do médico, mas os doentes" . E na parábola da ovelha perdida, Jesus apresenta Deus como um Pastor que corre à procura da Ovelha perdida. E nós compreendemos o Seu pensamento. De facto nós vemos que este Jesus actua assim. Ele procurará assim Zaqueu, a Samaritana, a pecadora. Por isso, quando um jovem, uma pessoa vai a confessar-se e lhe custa, nós deveríamos animá-lo. Deveríamos dizer-lhe: Sabes porque tu vais a confessar-te? É porque Cristo já te encontrou, já te tomou pela mão; tu tens a força de confessar-te porque Ele já te procurou e alcançou e te transmitiu já a força! 2 -- Jesus apresenta-se sempre amigo dos pecadores, Jesus apresenta-se sempre a eles com ternura, com delicadeza, tal como fazia com os doentes. De facto Jesus apresenta-se com ternura com duas categorias de pessoas: com os doentes e com os pecadores. Parece quase que os mete no mesmo plano e, isto, é um escândalo para os Fariseus. Assim, por exemplo, escandalizam-se porque Jesus come com os pecadores: "Como é possível que o Mestre coma com os publicanos e os pecadores (Mc.2,16)? É impressionante este pormenor: os pecadores porém nunca se "perturbam", quando se encontram com Jesus. 3 - Jesus apresenta-se com toda a ternura ao pecador, mas não é terno com o pecado. É muito importante ter presente esta atitude da transparência de Jesus perante o pecado. Jesus é verdade deslumbrante, perante o pecado. E o pecador, diante d'Ele, sente necessidade de mudar de vida. Por exemplo: Mateus, um publicano, um pecador que se vendeu ao dinheiro, encontrou Cristo, levantou-se e O seguiu. Zaqueu é chefe dos publicanos, depois de se encontrar com Jesus, sente necessidade de dizer: Restituirei quatro vezes mais do que roubei e darei metade dos meus bens aos pobres. A Prostituta: Jesus apresenta-a assim: é uma mulher a quem foi perdoado muito porque muito amou. Portanto, Jesus é amigo dos pecadores, mas não do pecado! Amigo dos pecadores, mas para os arrancar do pecado. 4 -- Jesus nunca se atira contra o pecador 5 -- Jesus perdoa o pecador, e ensina que o perdão é a maior alegria de Deus! Diz: " Haverá mais alegria no Céu, por um só pecador que se converta, do que por 99 justos que não precisam de conversão" (Lc. 15). E Jesus repete mais vezes este pensamento no mesmo cap. 15. de Lc, E dirá: alegrai-vos comigo; é preciso fazer festa! Eis: Perdoar é a festa de Deus. Eis a coisa que devemos compreender: o Sacramento do perdão (da confissão) é festa, é alegria. Enquanto não compreendermos isto, não estamos bem preparados para fazer a confissão e devemos trabalhar espiritualmente mais um pouco para fazer bem a confissão. 6 -- Jesus nunca perdoa em massa, mas sempre individualmente: No Evangelho nunca encontramos Jesus a dar o perdão colectivo (a toda a gente); o perdão é sempre individual, é sempre um acto pessoal de Deus dirigido à pessoa individual. Jesus não perdoa às massas, mas perdoa ao indivíduo. 7 -- Jesus resiste sempre contra a falsidade, contra quem se julga justo: Na parábola do Fariseu e do Publicano lemos: O Publicano voltou para casa justificado, porque se julgou pecador. O primeiro anúncio do Reino é assim: O Reino está próximo; convertei-vos, acreditai no Evangelho! Jesus diz isto para todos, porque Jesus sabe que somos todos pecadores. Ai daquele que se julga justo! A primeira condição para recebermos bem o Sacramento da penitência é de nos sentirmos pecadores. Um Sr. Padre, Capelão das prisões, contava que o que era decisivo para levar os presos à confissão era quando lhes dizia, com firmeza, quem eram os que deviam confessar-se e quem eram os que não deviam ir a confessar-se. Com toda a solenidade lhes dizia: Não pode ir confessar-se aquele que se julga justo, que se sente santo. Por favor, quem se sente justo, fique lá na sua cela e não vá à Capela para a confissão. E pode vir a confessar-se só aquele que se sente pecador! Isto era decisivo! Quando compreendiam estas palavras, caíam todas as barreiras de resistência e todos se confessavam! 8 -- Jesus, que é todo ternura para os pecadores, tem exigências tão radicais relativamente ao pecado, que parece que pretenda coisas impossíveis. Vejamos o Evangelho: - Mt. 5, 20: "Se a vossa justiça não superar a dos doutores da Lei e dos fariseus, não entrareis no Reino do Céu."; os Escribas e Fariseus eram os "Santos", eram as pessoas justas daquele tempo. ...
Mass Effect Andromeda - Romance avec Suvi Anwar
 
02:00
Retrouvez l'actualité de Mass Effect Andromeda sur http://masseffectuniverse.fr/
Просмотров: 6156 MassEffectUniverseFR
O Senhor é justo
 
10:22
PECADOR: Confia! o Senhor é JUSTO ! É necessário que Ele reine até que ponha todos os Seus inimigos debaixo de Seus pés. (1 Cor 15-25). Muitos não devidamente informados ou formados associam à ideia de Deus um sentimento de ansiedade e de medo. Infelizmente, a educação religiosa muitas vezes tem, na prática, por escopo principal disciplinar o comportamento do homem. A maioria das pessoas foram educadas severamente, isto é, com autoridade ameaçadora e punitiva. Esta é a causa mais importante da errónea ideia que têm de Deus. Temem-n'O. Desejariam poder amá-Lo mas têm enorme dificuldade para experimentar sentimentos autênticos de amor, de confiança, de apego, de amizade para com Ele. Interpretam o amor em termos de justiça humana. Se algum dia chegarem a poder amar . de verdade, a ideia de justiça de Deus adquire, para eles, um sentido completamente novo. Descobrirão que a justiça de Deus tem nomes maravilhosos, como: amor, compaixão, compreensão, perdão, misericórdia, ternura ... O Senhor, mais do que qualquer outra coisa, é compreensivo. Pede que O imitemos também nisto no nosso relacionamento com os irmãos: «Sede misericordiosos como o vosso Pai é misericordioso» (Lc 6,36). São Paulo imita o Senhor ao aconselhar-nos: ", Sede bondosos e compassivos uns com os outros, perdoando-vos mutuamente, como Deus em Cristo vos perdoou» (Ef 4,32). Se tal é a misericórdia do Senhor para connosco, porque desconfiaríamos da Sua justiça? Quem é para seus irmãos um pouco como Cristo foi para os homens do seu tempo, nada tem a temer no dia do juízo. «Não julgueis para não serdes julgados. Pois com o julgamento com que julgais sereis julgados, e com a medida com que medis sereis medidos» (Mt 7,1-2). O amor de Deus por nós é um mistério da Sua misericórdia. A justiça de Deus não toma em consideração só a lei que nos deu. Para decidir da nossa sorte toma em consideração, de modo muito especial, a nossa condição de fraqueza humana, de debilidade e de ignorância. Quando vê a limitação das nossas capacidades, desperta n'Ele a Sua imensa compaixão e compreensão. Ama-nos tanto que seria incapaz de olhar unicamente para o rigor das Suas decisões feitas apenas à medida da Sua divindade. «Compreenderemos como devemos julgar os outros ao tomarmos consciência do julgamento tão compassivo, tão compreensivelmente benévolo, tão amparados da nossa fragilidade, de que somos objecto a todo o instante». O Senhor não nos julgará na base de uma lista de pecados cometidos pelos quais merecemos castigo. Não seremos julgados pelo bem ou pelo mal que fizemos senão pelo que somos, pelo bem ou pelo mal que as nossas acções nos fizeram a nós mesmos. As nossas acções são como os frutos de uma árvore. Da qualidade dos frutos pode-se inferir a qualidade da árvore. Muitos frutos de excelentes árvores são estragados por factores exteriores à árvore: insectos que as picam, pássaros que as machucam, intempéries que as arruínam ... O Senhor conhece tudo. Julga a árvore e não os frutos. Quer saber o que fizemos com Ele, com o sincero amor que nos ofereceu desde o princípio. Todo o resto que possa ser causa de ruína da qualidade das nossas acções e que fuja ao nosso controlo é automaticamente descontado. O Senhor julga-nos de acordo com a nossa atitude interior para com Ele; quer saber até que ponto fomos sinceros e autênticos com Ele, apesar das faltas em que caímos por nossa fraqueza humana .. Começamos a ser julgados quando ainda em vida. No fundo de si mesmo cada qual sabe perfeitamente a quantas anda na sua relação com o Senhor. Quem ama e se deixa amar sabe que ama. Quem não ama e não se deixa amar sabe que não ama. Este já é um veredicto provisório não ditado pelo Senhor mas engendrado por nós mesmos. Seremos julgados a respeito do amor. E isto quer dizer que tudo sucederá a nível desta única realidade que conta na nossa relação com Deus e com os homens. Se fôssemos conscientes dessa atitude do Senhor connosco e com os nossos irmãos, dificilmente cairíamos no erro de julgar, de criticar e de condenar os outros. Se nos déssemos conta de quanta predilecção eles são objecto da parte do Senhor, compreenderíamos também quanta mágoa Lhe causamos sempre que ofendemos e prejudicamos algum dos Seus amigos. Pobreza pessoal, limitação humana, extravios pecaminosos de alguém excitam mais ainda a compaixão do Senhor. Ele não recua diante de nada quando se trata de salvar a ovelha que fugiu do redil, que corre o perigo de ser devorada pelo lobo. ...
Tony and Melfi: What Could have been
 
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A Tribute to the on and off relationship of Tony Soprano and Jennifer Melfi. The background music is "2012" by Musicshake.
Просмотров: 197956 Jaydee928
Christmas Worship Night
 
02:24:58
https://www.facebook.com/hallelujahyangon/videos/2437932333098637/ https://www.facebook.com/shweradio/videos/1764065260299886/
Просмотров: 2047 Siam pi
A reparação - Josefa Menéndez
 
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Momento de Reflexão A REPARAÇÃO: JESUS E A IR. JOSEFA MENÉNDEZ REPARAM, OS DOIS, O ETERNO PAI! Um dia Jesus apareceu à Serva de Deus Irmã Jeosefa Menéndez e disse-lhe: "Pega na cruz; vamos reparar nós os dois, durante esta hora, os pecados que se estão cometendo. Não sabes quantas almas se precipitam no mal..." "Vamos adorar a Majestade Divina ofendida e ultrajada...Vamos reparar tantos pecados. " Oh, Deus infinitamente santo..., Pai infinitamente misericordioso! Adoro-Vos. Queria reparar os ultrajes que recebeis dos pecadores em todos os lugares da terra e em todos os instantes do dia e da noite. Queria, especialmente, meu Pai, reparar os pecados que se cometem durante esta hora e, para isso, ofereço-Vos todos os actos de adoração e de reparação que Vos tributam as almas que Vos amam. Ofereço-Vos, sobretudo, o holocausto que continuamente vos apresenta o Vosso divino Filho, imolando-Se no altar, em todos os lugares da terra e em todos os momentos desta hora. Oh, Pai infinitamente bom e compassivo! Recebei este Sangue puríssimo em reparação dos ultrajes dos homens. Perdoai-lhes os seus pecados e tende misericórdia deles." (De "Um chamamento ao amor") Mas, para compreendermos os profundos sentimentos dolorosos e misericordiosos que enchiam o Coração de Jesus NA ÚLTIMA CEIA E ASSIM REPARÁ-LO, MEDITEMOS NA EUCARISTIA E OS PECADORES Um dia Jesus perguntou à Serva de Deus Josefa Menéndez: " Quem te criou? "Vós, Senhor." " Quem te deu mais provas de amor? Quem como Eu Te perdou e está disposto a perdoar-te ainda? Sim, humilha-te, Josefa, beija o chão e não Me resistas mais. "Escreve agora para as minhas almas. Quero manifestar-lhes a amargura de que estava possuido o Meu Coração durante a última Ceia. Pois, se era grande a minha alegria em fazer-Me companheiro dos homens até ao fim dos séculos e alimento divino das almas e veria quantas Me renderiam homenagem de adoração, ... e de amor, não foi menor a tristeza que Me causou o ver quantas haveriam de abandonar-Me no Sacrário e quantas não acreditariam na presença real... "Em quantos corações manchados pelo pecado teria que entrar... e como a minha Carne e o meu Sangue, assim profanados, haviam de converter-se em causa de condenação para muitas almas...! "Ah! como vi naquele momento todos os sacrilégios e ultrajes e as tremendas abominações que haviam de cometer-se contra Mim! Quantas horas havia de passar só no Sacrário! Quantas noites! Quantas almas rejeitariam os chamamentos amorosos que, desde essa morada, lhes dirigiria...! "Por amor das almas, Eu fico prisioneiro na Eucaristia para que em todas as suas penas e aflições possam vir a consolar-se com o mais terno dos corações, com o melhor dos pais, com o amigo mais fiél. Mas esse amor que se desfaz e se consome pelo bem das almas, não será compreendido...! "Vivo no meio dos pecadores para ser a sua salvação e a sua vida, o seu médico e a sua medicina em todas as doenças da sua natureza corrompida, e eles em troca se afastam de Mim, Me ultrajam e Me desprezam... "Pobres pecadores! Não vos afasteis de Mim... Espero-vos dia e noite no Sacrário... Não vos reprenderei pelos vossos crimes... Não vos atirarei na cara os vossos pecados...
Suspense: The Kandy Tooth
 
01:01:04
The aim for thrillers is to keep the audience alert and on the edge of their seats. The protagonist in these films is set against a problem -- an escape, a mission, or a mystery. No matter what sub-genre a thriller film falls into, it will emphasize the danger that the protagonist faces. The tension with the main problem is built on throughout the film and leads to a highly stressful climax. The cover-up of important information from the viewer, and fight and chase scenes are common methods in all of the thriller subgenres, although each subgenre has its own unique characteristics and methods.[8] A thriller provides the sudden rush of emotions, excitement, sense of suspense and exhilaration that drive the narrative, sometimes subtly with peaks and lulls, sometimes at a constant, breakneck pace thrills. In this genre, the objective is to deliver a story with sustained tension, surprise, and a constant sense of impending doom. It keeps the audience cliff-hanging at the "edge of their seats" as the plot builds towards a climax. Thrillers tend to be fast-moving, psychological, threatening, mysterious and at times involve larger-scale villainy such as espionage, terrorism and conspiracy. Thrillers may be defined by the primary mood that they elicit: fearful excitement. In short, if it "thrills", it is a thriller. As the introduction to a major anthology explains: " ...Thrillers provide such a rich literary feast. There are all kinds. The legal thriller, spy thriller, action-adventure thriller, medical thriller, police thriller, romantic thriller, historical thriller, political thriller, religious thriller, high-tech thriller, military thriller. The list goes on and on, with new variations constantly being invented. In fact, this openness to expansion is one of the genre's most enduring characteristics. But what gives the variety of thrillers a common ground is the intensity of emotions they create, particularly those of apprehension and exhilaration, of excitement and breathlessness, all designed to generate that all-important thrill. By definition, if a thriller doesn't thrill, it's not doing its job. " —James Patterson, June 2006, "Introduction," Thriller[9] Writer Vladimir Nabokov, in his lectures at Cornell University, said: "In an Anglo-Saxon thriller, the villain is generally punished, and the strong silent man generally wins the weak babbling girl, but there is no governmental law in Western countries to ban a story that does not comply with a fond tradition, so that we always hope that the wicked but romantic fellow will escape scot-free and the good but dull chap will be finally snubbed by the moody heroine." http://en.wikipedia.org/wiki/Thriller_%28genre%29
Просмотров: 110027 Remember This
Carl Sandburg's 79th Birthday / No Time for Heartaches / Fire at Malibu
 
01:15:11
Carl Sandburg (January 6, 1878 -- July 22, 1967) was an American writer and editor, best known for his poetry. He was the recipient of three Pulitzer Prizes: two for his poetry and another for his biography of Abraham Lincoln. H. L. Mencken called Sandburg "indubitably an American in every pulse-beat". Sandburg was born in the three-room cottage at 313 East Third Street in Galesburg, Illinois, to parents of Swedish ancestry. At the age of thirteen he left school and began driving a milk wagon. From the age of about fourteen until he was seventeen or eighteen, he worked as a porter at the Union Hotel barbershop in Galesburg.[1] After that he was on the milk route again for eighteen months. He then became a bricklayer and a farm laborer on the wheat plains of Kansas.[2] After an interval spent at Lombard College in Galesburg,[3] he became a hotel servant in Denver, then a coal-heaver in Omaha. He began his writing career as a journalist for the Chicago Daily News. Later he wrote poetry, history, biographies, novels, children's literature, and film reviews. Sandburg also collected and edited books of ballads and folklore. He spent most of his life in the Midwest before moving to North Carolina. Sandburg volunteered to go to the military and was stationed in Puerto Rico with the 6th Illinois Infantry during the Spanish--American War, disembarking at Guánica, Puerto Rico on July 25, 1898. Sandburg was never actually called to battle. He attended West Point for just two weeks, before failing a mathematics and grammar exam. Sandburg returned to Galesburg and entered Lombard College, but left without a degree in 1903. He moved to Milwaukee, Wisconsin, and joined the Social Democratic Party, the name by which the Socialist Party of America was known in the state. Sandburg served as a secretary to Emil Seidel, socialist mayor of Milwaukee from 1910 to 1912. Sandburg met Lilian Steichen at the Social Democratic Party office in 1907, and they married the next year. Lilian's brother was the photographer Edward Steichen. Sandburg with his wife, whom he called Paula, raised three daughters. The Sandburgs moved to Harbert, Michigan, and then to suburban Chicago, Illinois. They lived in Evanston, Illinois, before settling at 331 S. York Street in Elmhurst, Illinois, from 1919 to 1930. Sandburg wrote three children's books in Elmhurst, Rootabaga Stories, in 1922, followed by Rootabaga Pigeons (1923), and Potato Face (1930). Sandburg also wrote Abraham Lincoln: The Prairie Years, a two-volume biography in 1926, The American Songbag (1927), and a book of poems called Good Morning, America (1928) in Elmhurst. The family moved to Michigan in 1930. The Sandburg house at 331 W. York Street, Elmhurst was demolished and the site is now a parking lot. Sandburg's collection, The War Years was awarded the Pulitzer Prize in 1940. His Complete Poems won him a second Pulitzer Prize in 1951.[4] In 1945 he moved to Connemara, a 246-acre rural estate in Flat Rock, North Carolina. Here he produced a little over a third of his total published work, and lived with his wife, daughters, and two grandchildren until dying of natural causes in 1967. Sandburg had his ashes interred under "Remembrance Rock", a 5-foot-high granite boulder located behind his birth house.[5][6] Sandburg supported the civil rights movement, and contributed to the NAACP. http://en.wikipedia.org/wiki/Carl_Sandburg
Просмотров: 194570 Remember This
the naked brothers band then and now pictures
 
03:32
Просмотров: 113855 jonas1234515
America's Missing Children Documentary
 
30:12
A missing person is a person who has disappeared for usually unknown reasons. Missing persons' photographs may be posted on bulletin boards, milk cartons, postcards, and websites, along with a phone number to be contacted if a sighting has been made. People disappear for many reasons. Some individuals choose to disappear alone; most of these soon return. Reasons for non-identification may include: To escape child abuse, such as child physical abuse, emotional abuse, by a parent(s) / guardian(s) / sibling(s) (especially). Leaving home to live somewhere else under a new identity. Becoming the victim of kidnapping. Abduction (of a minor) by a non-custodial parent or other relative. Seizure by government officials without due process of law. Suicide in a remote location or under an assumed name (to spare their families the suicide at home, or to allow their deaths to be eventually declared in absentia). Victim of murder (body disguised, destroyed, or hidden). Mental illness or other ailments such as Alzheimer's Disease can cause someone to become lost, or they may not know how to identify themselves due to long term memory loss that causes them to forget where they live, the identity of family members or relatives or even their own names. Death by natural causes (disease) or accident far from home without identification. Disappearance in order to take advantage of better employment or living conditions elsewhere. Sold into slavery, serfdom, sexual servitude, or other unfree labour. To avoid discovery of a crime or apprehension by law-enforcement authorities. (See also failure to appear). Joining a cult or other religious organization. To escape domestic abuse. To avoid war or persecution during a genocide. To escape famine or natural disaster. By the end of 2005, there were 109,531 active missing person records according to the US Department of Justice. Children under the age of 18 account for 58,081 (53.03%) of the records and 11,868 (10.84%) were for young adults between the ages of 18 and 20. During 2005, 834,536 entries were made into the National Crime Information Center's missing person file, which was an increase of 0.51% from the 830,325 entered in 2004. Missing Person records that were cleared or canceled during the same period totaled 844,838. The reasons for these removals include: a law enforcement agency located the subject, the individual returned home, or the record had to be removed by the entering agency due to a determination that the record is invalid. A common misconception is that a person must be absent for at least 24 hours before being legally classed as missing, but this is rarely the case; in instances where there is evidence of violence or of an unusual absence, law enforcement agencies often stress the importance of beginning an investigation promptly. In most common law jurisdictions a missing person can be declared dead in absentia (or "legally dead") after seven years. This time frame may be reduced in certain cases, such as deaths in major battles or mass disasters such as the September 11, 2001 attacks. http://en.wikipedia.org/wiki/Missing_children
Просмотров: 93720 The Film Archives
test
 
11:55:01
test
Просмотров: 1758 tom bohan
A Fé - Deus existe
 
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Momento de Reflexão A FÉ HÁ DEUS MEUS IRMÃOS, DEUS EXISTE! Uma breve história: Dois pequenos saem da catequese. Um deles diz: - O catequista diz que Deus está em toda a parte, mas eu não O vejo em parte nenhuma! - É que tu não percebeste a explicação -- disse o outro. Quando tu deitas um torrão de açúcar no copo de água e o açúcar se derrete, ainda o vês? - Não o vejo! - Mas o açúcar está lá ou não? - Está. - E como é que tu sabes que está lá? - Porque, bebendo a água, sinto que está açucarada. Pois bem, de um modo parecido, Deus está em toda a parte e mostra a sua presença com as obras do Seu poder. E, apesar disso, ninguém O vê. Sabemos que está em toda a parte, porque de outra forma as coisas não teriam explicação. Caso parecido se relata entre um ímpio sábio francês e um árabe. Vendo que este ajoelhava para adorar a Deus, disse o ímpio filho da França: - Deus não existe! De facto nunca O viste, nem ouviste ou tocaste! O árabe calou-se. Mas quando o sábio, chamando-lhe a atenção para as pegadas dum camelo na areia, lhe disse: - Olha, por aqui passou um camelo. - O árabe respondeu: - O senhor está doido! - Porquê? -- Perguntou o francês. - Porque crês que por aqui passou um camelo e, contudo, nunca o viste, nem ouviste, nem o tocaste. - Mas - respondeu o ateu -- vêem-se-lhe as pegadas. Então o árabe, apontando para o sol, exclamou: - Eis as pegadas do Criador! Deus existe. Tu não podes ver o sol, que é uma criatura, e queres ver a Deus, que é o Criador? - E o ímpio calou-se, envergonhado. Santo Agostinho, um dos maiores génios da humanidade, dizia: "Buscando Deus, interroguei a terra e foi-me respondido: 'Eu não sou Deus!' Interroguei os mares e tudo o que eles encerram; interroguei o céu, o sol, a lua, as estrelas e todos me responderam: 'Também nós não somos o Deus que tu procuras'. E disse-lhes: 'Se vós não sois Deus, falai-me d'Ele porque quero conhecê-Lo'. E todas as criaturas responderam, em grande clamor: 'Foi Ele que nos criou!' Irmãos, no salmo 18 lemos: "Os céus cantam a glória de Deus e o firmamento anuncia a obra das Suas mãos". O QUE É A FÉ? 1 -- A Fé é a ACEITAÇÃO DE DEUS! Muita gente, hoje, não aceita a existência de Deus! Mas Deus existe. Quanto ateísmo no nosso povo! É espantoso! Conta-se que, quando o cosmonauta soviético voltou da sua viagem no firmamento, lhe perguntaram: «Encontraste Deus?». Ele respondeu ironicamente: andei tanto no firmamento, mas nunca encontrei Deus». Fizeram a mesma pergunta ao cosmonauta Americano, Frank Borman, e este respondeu: 'Não, não O vi, mas vi grandes provas da Sua existência'! 2 -- A Fé é ACEITAÇÃO DA PALAVRA DE DEUS, não tanto porque a nossa inteligência consegue ou não compreender a íntima verdade da Sua palavra, mas sim por um acto de confiança e fé em Deus " que não se engana nem pode enganar-nos", como afirma o Concílio Vat. II. 3 - A Fé É CONFIGURAÇÃO DA NOSSA VIDA COM A VIDA DE CRISTO: pensamentos, obras, sentimentos! Isto é importantíssimo, porque não basta a Fé especulativa, porque esta até os demónios a têm. O Apóstolo S. Tiago diz: A fé sem as obras não nos salva. E Jesus diz:"Nem todo quem diz : Senhor, Senhor entrará no Reino dos Céus, mas quem faz a Vontade do Meu Pai". (Mt. 7, 21-23). 4 - QUEM NOS DEU A NOSSA FÉ? A Fé é um gérmen que nos é dado no Baptismo. No Baptismo foi-nos perguntado: "O que pedes à Igreja de Deus?" "A Fé !" "O que te oferece a Fé?" "A vida Eterna"! ...
O Perdão de Cristo na Igreja
 
11:03
O Perdão de Cristo na Igreja Hoje, meus irmãos, meditemos no grande Sacramento do Perdão, da Confissão. No Símbolo ( ou Credo) dos Apóstolos, nós rezamos: "Creio na remissão dos pecados"...Ámen. Vejamos então como o perdão de Jesus passou para Igreja. O Catecismo da Igreja Católica dos adultos diz: Na Igreja e por meio da Igreja, Cristo continua a salvar o homem. Vamos considerar 3 pontos relativos ao perdão de Jesus: Primeiro Jesus declara que tem o poder de perdoar os pecados. Segundo Jesus praticou solenemente este poder. Terceiro Jesus transmitiu solenemente este poder. Portanto: Jesus tinha sublinhado, e com muita força, que tinha o poder de perdoar os pecados, e queria que este poder lhe fosse reconhecido, mesmo que os fariseus, os doutores da lei, esses teólogos daquele tempo, se escandalizassem. Em Mc 2, 10 lemos: "para que saibais que o Filho do Homem tem o poder sobre a terra de perdoar os pecados, disse ao paralítico: «Levanta-te; toma a tua enxerga e vai para a tua casa.»". Poderíamos dizer que Jesus aqui fez um milagre provocador, espectacular: um paralítico, o tecto descoberto, quatro homens que o levam sobre o telhado e que o fazem descer diante de Jesus e Jesus que faz o milagre... Parece mesmo que Jesus queira tornar evidente para todos que Ele tem este poder, que tem o dom de perdoar os pecados!. 2º Jesus praticou solenemente este poder: Em Mc 2,5 lemos: O perdão ao paralítico: São-te perdoados os teus pecados. Em Lc 7, 48 encontramos: o perdão à Prostituta; na casa de Simão, o Fariseu: "Disse à mulher: «Os teus pecados estão perdoados»"! -- Mas, quem é este homem que perdoa os pecados? Disse à Mulher: "a tua fé te salvou; vai em paz". Jo 8, 11 disse à Adúltera: alguém te condenou? -- Não, Senhor! -- Então, nem eu te condeno; vai, mas não tornes a pecar mais! Em Lc 23, 43: Encontramos o episódio do Bom ladrão: " Jesus, lembra-te de mim quando estiveres no Teu Reino. - E Jesus lhe responde: Em verdade te digo: hoje estarás comigo no Paraíso! Aqui nós vemos quatro situações graves de pecado, quatro intervenções extraordinárias de Jesus que exerce com solenidade o Seu poder de perdoar os pecados ao homem. 3º Jesus transmite solenemente este poder de perdoar os pecados à Sua Igreja e o faz quando envia, para o mundo, a Igreja como continuadora da Sua obra. A Igreja meditou sempre sobre estes 3 grandes textos seguintes: Mt 28, 19: : "Ide e ensinai todas as nações, baptizando-as em nome do Pai, do Filho e do Espírito Santo, ensinando-as a cumprir tudo quanto vos tenho mandado. E Eu estarei convosco, todos os dias até ao fim do mundo!". Nesta transmissão solene à Igreja de todos os poderes, é contido o perdão dos pecados, pois naquelas palavras "Baptizar" não está só o baptismo, (Baptizar significa lavar), mas também os outros sacramentos estão, porque todos transmitem a graça do Pai, do Filho e do Espírito Santo, e especialmente o sacramento da reconciliação, do perdão, isto é, da confissão. Em Mt. 16,19 lemos: « Dar-te-ei as chaves do reino dos Céus. Tudo o que ligares na terra será ligado também nos Céus.» Estas palavras foram dirigidas a Simão e, depois, a todos os 12 Apóstolos reunidos. «E o que desligardes na terra, será desligado nos Céus» Aqui vemos com claridade que Jesus deu à Sua Igreja o poder de perdoar os pecados. O Papa João Paulo II chama este texto seguinte, que vamos citar agora, uma das maiores novidades do Evangelho. Vou lê-lo, comentando-o brevemente: "Na tarde daquele mesmo dia, depois do Sábado, isto é, no dia de Páscoa, enquanto os Apóstolos se encontravam reunidos, com medo dos judeus, veio Jesus. Parou no meio deles e disse: A paz esteja convosco! -- Depois, mostrou-lhe as mãos, o lado, o lado trespassado e as mãos trespassadas pelos cravos e pela lança, isto é, mostra-lhes o dom do perdão dos pecados, como fruto da sua paixão e morte; Jesus mostra à Igreja que já pagou o perdão dos pecados com o seu martírio. E João continua: " E os discípulos se alegraram em ver Jesus. E Jesus disse de novo: A paz esteja convosco. ...
The Great Gildersleeve: The Circus / The Haunted House / The Burglar
 
01:29:30
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/The_Great_Gildersleeve
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how to use installous and add it to a folder in catagories
 
07:30
1. add the source http://cydia.hackulo.us 2. install a free app from the app store or it wont install them 3. install the mobileinstallation pach also in the source called mipatch firmware 2.21 4. install instalous 5. open and browse the apps pick one and scroll to the bottom pick the verion 6. enjoy free apps
Просмотров: 8847 fatboy40000
The Great Gildersleeve: Gildy Is In a Rut / Gildy Meets Leila's New Beau / Leroy Goes to a Party
 
01:29:30
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children. By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter "Bronco" Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together. Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed "Ha!!!" or "What a character!" Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career. http://en.wikipedia.org/wiki/Great_Gildersleeve
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The Great Gildersleeve: Gildy Traces Geneology / Doomsday Picnic / Annual Estate Report Due
 
01:29:29
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
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Calling All Cars: The Blood-Stained Wrench / Unconquerable Mrs. Shuttle / The Lesson in Loot
 
01:28:23
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
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Deus criou o homem
 
09:32
Momento de Reflexão DEUS CRIOU O HOMEM Logo que DEUS todo poderoso criou o céu e a terra com tudo o que eles ercerram, disse: "Façamos o homem à nossa imagem e semelhança para que ele domine sobre todos os seres". Deus criou o homem à sua imagem, isto é, deu-lhe um espírito inteligente, capaz de compreender e amar... O Senhor disse ainda. "Não é bom que o homem fique só; demos-lhe uma companheira semelhante a ele". Adão e Eva foram criados num estado de inocência e de santidade: eram livres, podendo fazer o bem e o mal. O homem é, portanto, um ser racional, composto de um corpo e de uma alma. Criar é tirar do nada. Também no caso de Adão e Eva temos a verdadeira criação porque a alma que Deus lhes deu e dá a cada um de nós no instante da nossa concepção, é por Ele tirada do nada. Fazemos bem quando chamamos a Deus nosso Criador, porque a alma não nos vem dos pais. A alma é criada por Deus e só d'Ele depende. DEUS CRIOU A NOSSA ALMA A existência da nossa alma e a sua espiritualidade revelam-se pelas suas próprias obras. Tanto os actos como as faculdades da alma são imateriais. A nossa alma: pensa, compreende, julga, quer, ama. Ora a matéria não pode fazer estes actos. No teu trabalho feres uma das mãos. Sofres. Uma carta dá-te uma notícia dolorosa. Sentes dentro de ti um grande sofrimento. No primeiro caso, é um corpo que sente e sofre; no segundo caso, quem sofre é a tua alma. A nossa alma não tem nenhuma propriedade da matéria: nem cor, nem peso, nem dimensões. Duvidas da tua alma porque não a vês? Posso eu duvidar dos teus pensamentos porque não os vejo? Então podemos duvidar da palavra de Deus? Jesus fala mais de uma vez na nossa alma: "Que aproveita ao homem ganhar todo o mundo se vier a perder a sua alma?" ( Mat.16, 26). Na altura em que Deus fez o homem, diz a Escritura, insuflou-lhe uma alma. A nossa alma é livre: de facto temos a conciência de que podemos querer uma coisa ou outra quando tomamos uma decisão, é só porque a queremos até, às vezes, contrariando a vontade de outrem. A nossa alma é livre; manifesta-se pela obrigação moral e pela responsabilidade que não se concebem sem a liberdade. A nossa alma é imortal: 1º - Deus é testemunha. Ele disse: "O pó volta à terra donde foi tirado e a alma volta para Deus que lha deu". E disse ainda: « Os maus irão para o suplício eterno e os justos para a vida eterna». (Mateus 25, 46). 2º - A nossa razão exige um prémio ou um castigo para quem guarda ou transgride a lei. 3º - Também a nossa ânsia de felicidade plena prova que a nossa alma é imortal. Quando serão punidos tantos que no mundo fazem o mal, não só impunemente, mas ainda com aplausos e louvores? E quando serão premiados os que fazem o bem, recebendo em troca, zombarias, ingratidões, calúnias e sofrimentos? Escrevia o inclédulo Rousseau: «Ainda que eu não tivesse outra prova, para a imortalidade da alma, os triunfos dos maus neste mundo e os sofrimentos dos justos chegariam para me tirar todas as dúvidas». A nossa alma aspira à felicidade completa! Ora este desejo não pode ser satisfeito na terra. Quantos se perdem e perecem, seguindo a luz aparente da felicidade da terra, esquecendo a felicidade eterna! O PECADO ORIGINAL Adão e Eva, nossos primeiros pais, nunca deviam morrer, mas tendo desobedecido a Deus, foram expulsos do Paraíso Terrestre e condenados, eles e os seus descendentes, ao trabalho, aos sofrimentos e à morte.
Suspense: Murder Aboard the Alphabet / Double Ugly / Argyle Album
 
01:28:05
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Просмотров: 159534 Remember This
Suspense: The Bride Vanishes / Till Death Do Us Part / Two Sharp Knives
 
01:27:26
Together with the Authorized version and the works of Shakespeare, the Book of Common Prayer has been one of the three fundamental underpinnings of modern English. As it has been in regular use for centuries, many phrases from its services have passed into the English language, either as deliberate quotations or as unconscious borrowings. They are used in non-liturgical ways. For example, many authors have used quotes from the prayer book as titles for their books. Some examples of well-known phrases from the Book of Common Prayer are: "Speak now or forever hold your peace" from the marriage liturgy. "Till death us do part", from the marriage liturgy. "Earth to earth, ashes to ashes, dust to dust" from the funeral service. "From all the deceits of the world, the flesh, and the devil" from the litany. "Read, mark, learn, and inwardly digest" from the collect for the second Sunday of Advent. "Evil liver" from the rubrics for Holy Communion. "All sorts and conditions of men" from the Order for Morning Prayer. "Peace in our time" from Morning Prayer, Versicles. The phrase "till death us do part" ("till death us depart" before 1662[5]) has been changed to "till death do us part" in some more recent prayer books, such as the 1962 Canadian Book of Common Prayer. References and allusions to Prayer Book services in the works of Shakespeare were tracked down and identified by Richmond Noble (Noble 1935, p. 82). Derision of the Prayer Book or its contents "in any interludes, plays, songs, rhymes, or by other open words" was a criminal offence under the 1559 Act of Uniformity,[6] and consequently Shakespeare avoids too direct reference; but Noble particularly identifies the reading of the Psalter according to the Great Bible version specified in the Prayer Book, as the biblical book generating the largest number of Biblical references in Shakespeare's plays. Noble found a total of 157 allusions to the Psalms in the plays of the First Folio, relating to 62 separate Psalms—all, save one, of which he linked to the version in the Psalter, rather than those in the Geneva Bible or Bishops' Bible. In addition, there are a small number of direct allusions to liturgical texts in the Prayer Book; e.g. Henry VIII 3:2 where Wolsey states "Vain Pomp and Glory of this World, I hate ye!", a clear reference to the rite of Public Baptism; where the Godparents are asked "Doest thou forsake the vaine pompe and glory of the worlde..?" More recently, P.D. James used phrases from the Book of Common Prayer and made them into bestselling titles—Devices and Desires and The Children of Men, while Alfonso Cuarón's 2006 film Children of Men placed the phrase onto cinema marquees worldwide. http://en.wikipedia.org/wiki/Book_of_Common_Prayer#Literary_influence
Просмотров: 156313 Remember This
Calling All Cars: Highlights of 1934 / San Quentin Prison Break / Dr. Nitro
 
01:28:06
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 45062 Remember This
Suspense: The High Wall / Too Many Smiths / Your Devoted Wife
 
01:30:18
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Просмотров: 628072 Remember This
Suspense: Beyond Reason
 
01:03:00
Ancient epic poems such as the Epic of Gilgamesh, Homer's Odyssey and the Mahābhārata use similar narrative techniques as modern thrillers. In the Odyssey, the hero Odysseus makes a perilous voyage home after the Trojan War, battling extraordinary hardships in order to be reunited with his wife Penelope. He has to contend with villains such as the Cyclops, a one-eyed giant, and the Sirens, whose sweet singing lures sailors to their doom. In most cases, Odysseus uses cunning instead of brute force to overcome his adversaries. Little Red Riding Hood (1697), an early example of a psycho-stalker story, is a fairy tale about a girl who walks through the woods to deliver food to her sick grandmother. A wolf wants to eat the girl but is afraid to do so in public. He approaches Little Red Riding Hood and she naively tells him where she is going. He suggests the girl pick some flowers, which she does. In the meantime, he goes to the grandmother's house and gains entry by pretending to be the girl. He swallows the grandmother whole (in some stories, he locks her in the closet) and waits for the girl, disguised as the grandma. The Three Apples, a tale in the One Thousand and One Nights (Arabian Nights), is the earliest known murder mystery[19] and suspense thriller with multiple plot twists[20] and detective fiction elements.[21] In this tale, a fisherman discovers a heavy locked chest along the Tigris river and he sells it to the Abbasid Caliph, Harun al-Rashid, who then has the chest broken open only to find inside it the dead body of a young woman who was cut into pieces. Harun orders his vizier, Ja'far ibn Yahya, to solve the crime and find the murderer within three days. This whodunit mystery may be considered an archetype for detective fiction.[19][22] The Count of Monte Cristo (1844) is a swashbuckling revenge thriller about a man named Edmond Dantès who is betrayed by his friends and sent to languish in the notorious Château d'If. His only companion is an old man who teaches him everything from philosophy to mathematics to swordplay. Just before the old man dies, he reveals to Dantès the secret location of a great treasure. Shortly after, Dantès engineers a daring escape and uses the treasure to reinvent himself as the Count of Monte Cristo. Thirsting for vengeance, he sets out to punish those who destroyed his life. The Riddle of the Sands (1903) is "the first modern thriller", according to Ken Follett, who described it as "an open-air adventure thriller about two young men who stumble upon a German armada preparing to invade England". Heart of Darkness (1903) is a first-person within a first-person account about a man named Marlowe who travels up the Congo River in search of an enigmatic Belgian trader named Kurtz. Layer by layer, the atrocities of the human soul and man's inhumanity to man are peeled away. Marlowe finds it increasingly difficult to tell where civilization ends and where barbarism begins. Today this might be described as a psychological thriller. The Thirty-Nine Steps (1915) is an early thriller by John Buchan, in which an innocent man becomes the prime suspect in a murder case and finds himself on the run from both the police and enemy spies. The Manchurian Candidate (1959) is a classic of Cold War paranoia. A squad of American soldiers are kidnapped and brainwashed by Communists. False memories are implanted, along with a subconscious trigger that turns them into assassins at a moment's notice. They are soon reintegrated into American society as sleeper agents. One of them, Major Bennett Marco, senses that not all is right, setting him on a collision course with his former comrade Sergeant Raymond Shaw, who is close to being activated as an assassin. The Spy Who Came in from the Cold (1963) by John le Carré is set in the world of Cold War espionage and helped to usher in an era of more realistic thriller fiction, based around professional spies and the battle of wits between rival spymasters. The Bourne Identity (1980) is one of the first thrillers to be written in the modern style that we know today. A man with gunshot wounds is found floating unconscious in the Mediterranean Sea. Brought ashore and nursed back to health, he wakes up with amnesia. Fiercely determined to uncover the secrets of his past, he embarks on a quest that sends him spiraling into a web of violence and deceit. He is astounded to learn that knowledge of hand-to-hand combat, firearms, and trade craft seem to come naturally to him. http://en.wikipedia.org/wiki/Thriller_%28genre%29
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Suspense: An Honest Man / Beware the Quiet Man / Crisis
 
01:31:04
There have been at least two television series called simply Thriller, one made in the U.S. in the 1960s and one made in the UK in the 1970s. Although in no way linked, both series consisted of one-off dramas, each utilising the familiar motifs of the genre. 24 is a fast-paced television series with a premise inspired by the War on Terror. Each season takes place over the course of twenty-four hours, with each episode happening in "real time". Featuring a split-screen technique and a ticking onscreen clock, 24 follows the exploits of federal agent Jack Bauer as he races to foil terrorist threats. Lost, which deals with the survivors of a plane crash, sees the castaways on the island forced to deal with a monstrous being that appears as a cloud of black smoke, a conspiracy of "Others" who have kidnapped or killed their fellow castaways at various points, a shadowy past of the island itself that they are trying to understand, polar bears, and the fight against these and other elements as they struggle simply to stay alive and get out of the island. Prison Break follows Michael Scofield, an engineer who has himself incarcerated in a maximum-security prison in order to break out his brother, who is on death row for a crime he did not commit. In the first season Michael must deal with the hazards of prison life, the other inmates and prison staff, and executing his elaborate escape plan, while outside the prison Michael's allies investigate the conspiracy that led to Lincoln being framed. In the second season, Michael, his brother and several other inmates escape the prison and must evade the nationwide manhunt for their re-capture, as well as those who want them dead. Other examples include, Dexter, Breaking Bad, Criminal Minds, Without a Trace, CSI: Crime Scene Investigation, The 4400, Medium, revenge, Numb3rs, The Twilight Zone and The X-Files. http://en.wikipedia.org/wiki/Thriller_%28genre%29
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Jean Arthur, Rudy Vallee, Edgar Bergen & Charlie McCarthy, Dorothy Lamour, Vera Vague
 
59:37
Jean Arthur (October 17, 1900 -- June 19, 1991) was an American actress and a major film star of the 1930s and 1940s. James Harvey wrote in his recounting of the era, "No one was more closely identified with the screwball comedy than Jean Arthur. So much was she part of it, so much was her star personality defined by it, that the screwball style itself seems almost unimaginable without her."[1] She has been called "the quintessential comedic leading lady."[2] Arthur is best-remembered for her feature roles in three Frank Capra films: Mr. Deeds Goes to Town (1936), You Can't Take It With You (1938), and Mr. Smith Goes to Washington (1939), films that championed the "everyday heroine". Her last performance was the memorable—and distinctly non--comedic—role as the rancher's wife in George Stevens' Shane (1953). Arthur was nominated for an Academy Award for Best Actress in 1944 for her performance in The More the Merrier (1943). To the public eye, Arthur was known as a reclusive woman. News magazine Life observed in a 1940 article: "Next to Garbo, Jean Arthur is Hollywood's reigning mystery woman."[3] As well as recoiling from interviews, she avoided photographers and refused to become a part of any kind of publicity. [4] Arthur was born Gladys Georgianna Greene in Plattsburgh, New York to Protestant parents, Johanna Augusta Nelson and Hubert Sidney Greene. Her maternal grandparents were immigrants from Norway[5] who settled in the American West. She had three older brothers: Donald Hubert (1891), Robert B. (1892) and Albert Sidney (1894).[6] She lived off and on in Westbrook, Maine from 1908 to 1915 while her father worked at Lamson Studios in Portland, Maine as a photographer. The product of a nomadic childhood, Arthur also lived at times in Jacksonville, Florida; Schenectady, New York; and, during a portion of her high school years, in the Washington Heights neighborhood - at 573 West 159th Street - of upper Manhattan. The family's relocation to New York City occurred in 1915, where Arthur dropped out of high school in her junior year due to a "change in family circumstances".[7] She reputedly took her stage name from two of her greatest heroes, Joan of Arc (Jeanne d'Arc) and King Arthur. Presaging many of her later film roles, she worked as a stenographer on Bond Street in lower Manhattan during World War I. Both her father and siblings went to war, where her brother Albert died as a result of injuries sustained in battle. http://en.wikipedia.org/wiki/Jean_Arthur
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A Eucaristia
 
10:40
A EUCARISTIA Meus Irmãos, eis-nos aqui mais uns 10 minutos convosco, para reflectirmos sobre o grande DOM que Jesus nos deu: A DIVINA EUCARISTIA. Na Santa Missa, o Sacerdote, depois da Consagração, diz: "MISTÉRIO DA FÉ"! Mistério indica qualquer coisa de "incompreensível" ou de "difícil compreensão". O Papa João Paulo II, mesmo no princípio da sua Encíclica sobre a Eucaristia, pergunta: terão os Apóstolos compreendido, na Última Ceia, o Mistério da Eucaristia?. E responde ele próprio: eu creio que não! -- Com a descida porém do Espírito Santo compreenderão tudo. Portanto não devemos desanimar. Mas, se formos dóceis à luz da Sagrada Escritura e da Doutrina da Igreja, este Mistério irá desvendar-se cada vez mais aos nossos corações. Como uma mãe dá de comer aos seus filhos para que vivam e cresçam, assim Jesus dá-nos a Eucaristia para que vivamos e cresçamos! Muitos dos nossos cristãos, quando comungam ou fazem a adoração eucarística, pensam que estão a receber ou a adorar "qualquer coisa de sagrado", como se fosse uma "Preciosa Relíquia" ou estivessem diante de um "símbolo". É muito mais do que isto! Tentemos conhecer melhor este Grande Mistério. "A Eucaristia é o mais augusto de todos os Sacramentos; contém Jesus Cristo, verdadeiro Deus e verdadeiro Homem com o seu Corpo, Sangue, Alma e Divindade, sob as aparências do pão e do vinho, e em qualquer fragmento ou gota das mesmas espécies". Onde se baseia esta nossa fé? Onde se baseia a nossa fé? 1º.Sobretudo nos Evangelhos. Lembremos aqui o Evangelho de S. João: (Jo. 6, 54-57). Mas também nos outros três Evangelistas depreende-se claramente a instituição deste Sacramento em termos quase idênticos: "Quando estavam a cear, Jesus tomou o pão e, tendo-o abençoado, partiu-o e deu-o aos seus discípulos, dizendo: «Tomai e comei, isto é o meu Corpo. E tomando o cálice, deu graças e deu-lhes, dizendo: Bebei dele todos, porque isto é o meu Sangue, o Sangue da Nova Aliança que será derramado por muitos para remissão do pecados» ( Mt. 26,) e disse também "Fazei isto que Eu fiz, em memória de Mim" (Mt. 22). Em São Paulo: (cfr.1 Cor.11). Sabemos que tudo quanto Paulo sabe acerca de Cristo, soube-o por revelação directa do próprio Jesus. Alguém será capaz de pensar que Jesus queria enganar os Apóstolos, entendendo falar de uma presença qualquer ou simbólica, e não de uma transformação real do pão e do vinho no Seu Corpo, Sangue, Alma e Divindade? Alguém então perguntará: Mas como é possível converter o pão na Carne e o vinho no Sangue de Cristo? A Deus nada é impossível! No entanto, todos compreendem que é mais fácil transformar uma coisa, que já existe, numa outra, do que criá-la do nada. Quantas coisas nós transformamos. Por exemplo, transformamos o nosso alimento no sangue e na carne do nosso corpo. Quanto mais poderá fazê-lo Jesus, que é Deus! E Ele deu-nos a prova disso. Assim, para alimentar cinco mil pessoas, transforma os cinco pães de um menino em milhares de pães; transforma a "moleza" da água do lago da Galileia num "pavimento duro" capaz de suportar a Ele mesmo e a Pedro; nas bodas de Caná, transforma a água em vinho. Sim, na última Ceia, Jesus CONVERTE O PÃO NA SUA CARNE E O VINHO NO SEU SANGUE ! S. Tomás de Aquino chama esta conversão com o nome de Transubstanciação. E explica-nos: As coisas que nos rodeiam são compostas todas de substância e de acidentes. A substância é o elemento que faz com que um objecto seja ele mesmo e não outra coisa. Assim, por exemplo,a substância de uma bola de ferro é o que faz desta bola uma bola de ferro e não...uma bola de barro!!! Os acidentes, invés, são, por exemplo: a cor, o peso, o paladar, o cheiro etc. dos objectos. Ora, a Consagração Eucarística realiza-se, por vontade de Jesus que diz, pela boca do Sacerdote: 'Tomai e comei, isto é o Meu Corpo, tomai e bebei, isto é o Meu Sangue ', fazei isto em memória de Mim, realiza-se, digo, o milagre da Transubstanciação. QUE QUER DIZER TRANSUBSTANCIAÇÃO? Quer dizer que, onde havia a substância do pão e do vinho, depois da Consagração, há a substância do Corpo e Sangue de Cristo! Mas os acidentes do pão: a cor, o cheiro, o peso etc. continuarão presentes. Quer dizer que, na Hóstia Consagrada, Jesus está presente com o Seu Corpo, Sangue, Alma e Divindade, Verdadeiro Deus e Verdadeiro Homem! ...
The Great Gildersleeve: House Hunting / Leroy's Job / Gildy Makes a Will
 
01:29:33
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
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Suspense: Night Must Fall
 
01:01:38
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number," about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's "The Hitch Hiker," in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors. The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
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Suspense: Summer Night / Deep Into Darkness / Yellow Wallpaper
 
01:30:48
Psychological thriller: In which (until the often violent resolution) the conflict between the main characters is mental and emotional, rather than physical. Characters, either by accident or their own curiousness, are dragged into a dangerous conflict or situation that they are not prepared to resolve. Characters are not reliant on physical strength to overcome their brutish enemies, but rather are reliant on their mental resources, whether it be by battling wits with a formidable opponent or by battling for equilibrium in the character's own mind. At times, the characters attempt solving, or are involved in, a mystery. The suspense created by psychological thrillers often comes from two or more characters preying upon one another's minds, either by playing deceptive games with the other or by merely trying to demolish the other's mental state.[37] The Alfred Hitchcock films Suspicion, Shadow of a Doubt, and Strangers on a Train and David Lynch's bizarre and influential Blue Velvet are notable examples of the type, as are The Talented Mr. Ripley, The Machinist, Don't Say A Word,[38] House of 9, Trapped, Flightplan, Shutter Island, Secret Window, Identity, Red Eye,[39] Phone Booth, Psycho, The River Wild,[40] Nick of Time,[41] P2,[42] Breakdown, Panic Room,[43] Misery, Straw Dogs and its remake, Cape Fear, The Collector, Frailty,[44] The Good Son and Funny Games.[45] Spy thriller: In which the protagonist is generally a government agent who must take violent action against agents of a rival government or (in recent years) terrorists. The subgenre usually deals with the subject of fictional espionage in a realistic way (such as the adaptations of John Le Carré). It is a significant aspect of British cinema,[46] with leading British directors such as Alfred Hitchcock and Carol Reed making notable contributions and many films set in the British Secret Service. The spy film usually fuses the action and science fiction genres, however, some spy films fall safely in the action genre rather than thriller (e.i. James Bond), especially those having frequent shootouts, car chases and such (see the spy entry in the subgenres of action film).[47] Thrillers within this subgenre include Spy Game, Hanna, Traitor, Tinker Tailor Soldier Spy, The Tourist, The Parallax View, The Tailor of Panama, Taken, Unknown, The Recruit, The Debt, The Good Shepherd and Three Days of the Condor.[3] Supernatural thriller: In which the film brings in an otherworldly element (such as fantasy and/or the supernatural) mixed with tension, suspense and plot twists. Sometimes the protagonist and/or villain has some psychic ability and superpowers. Examples include, Lady in the Water, Fallen,[48] Frequency, Next, Knowing, In Dreams,[49] Flatliners, Jacob's Ladder, Chronicle,[50] The Skeleton Key,[51] What Lies Beneath, Unbreakable, The Gift,[52] and The Dead Zone. Techno thriller: A suspense film in which the manipulation of sophisticated technology plays a prominent part. There is a bit of action and science fiction.[53] Examples include The Thirteenth Floor, Jurassic Park, I, Robot, Eagle Eye, Hackers, The Net, Futureworld, eXistenZ and Virtuosity. Legal thriller: A suspense film in which in which the major characters are lawyers and their employees. The system of justice itself is always a major part of these works, at times almost functioning as one of the characters. Examples include, The Pelican Brief, Presumed Innocent, The Jury, The Kappa File, The Lincoln Lawyer, Hostile Witness and Silent Witness. http://en.wikipedia.org/wiki/Thriller_%28genre%29
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